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Fiona Sampson Beyond the Lyric What do poetry and music have in common? What is the musical element in poetry? Usually, when words and music come together they do so in song. But supposing that, instead of setting words to music, we set music to words? What would that sound like? Fiona Sampson wrote a poem in response to Schubert’s Cello Quintet and both were performed at a workshop event at the CAPITAL Centre. |
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| Fellow of Creativity for 2008 at the CAPITAL Centre, University of Warwick, Fiona Sampson has published fourteen books — including poetry, philosophy of language and studies of writing process — of which the most recent are The Distance Between Us (Seren, 2005) and Writing: Self and Reflexivity (with Celia Hunt; Macmillan, 2005). She has been widely translated, with eight books in translation including Patuvachki Dnevnik (Travel Diary), awarded the Zlaten Prsten (Macedonia). She has received the Newdigate Prize, writers’ awards from the Arts Councils of England and Wales and the Society of Authors and, in, the United States, the Literary Review’s Charles Angoff Award. ‘Trumpeldor Beach’ was shortlisted for the 2006 Forward Prize for best single poem. She was educated at the Universities of Oxford and Nijmegen and has a PhD in the philosophy of language. She was Arts and Humanities Research Council Research Fellow at Oxford Brookes University from 2002-2005. Fiona Sampson is internationally recognised for her pioneering residencies in health care and contributes to the Guardian, the Irish Times and other publications. Her translations include Jaan Kaplinski, an anthology of younger Central European poets, and Orient Express, of which she was founding editor. She is the editor of Poetry Review. | ||||